Woven around this main narrative thread is the politics of the various groups that inhabit the metro, primarily the Neo-Nazis and the Communists, both of whom somehow carried their ideals with them into the dark, dank world of the underground.
He has been commanded to destroy this final surviving creature, and yet his own unique connection to them gives him reason to pause and doubt his own motivations. For Artyom this is a journey of atonement in many ways as he feels a heavy sense of guilt for his near-genocide of the Dark Ones. As such we once again assume the mantle of Artyom, now a fully fledged ranger, as he discovers that a solitary Dark One survived the missile barrage (only that ending is viewed as canon) at the end of the last game, and so starts another tension-filled trudge through one of the most atmospheric, detailed and bleak game worlds ever created. Instead 4A chose to go ahead and craft their own unique canon with which to continue their series.
Metro 2033 was based upon the famous book of the same name, but for the second game 4A chose not to adapt Dmitry Glukhovsky’s literary sequel because it focused on a completely new cast of characters, abandoning Artyom and his comrades in favor of fresh new faces. This time around 4A have made some changes to allow the game to appeal to a broader market, but have those changes been for the best? Join me as I venture forth once again into the creepy darkness of the metro tunnels and…OHMYGODSOMETHINGJUSTMOVEDSHOOTITSHOOTITSHOOTIT! You have been warned.ĤA have returned to deliver a sequel to Metro 2033, a groundbreaking FPS/creepfest that garnered a considerable cult following, though never managing to achieve major commercial success, despite deserving it. NOTE: This review contains a single swear word.
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